Still sending phone footage? I make movement reels for dancers in London, directed on the floor and cut the way agents and choreographers watch.
Praised by Kutes Agency co-founder Jerry Reeve. £75 books your date.
“Loving the new dance reels Adam Brazier is offering! It gives dancers a cool, clean and modern aesthetic to showcase their talents.”
“My favourite video ever!!!”
“I wish you could film everything I choreograph.”
So do choreographers. Old phone footage tells them less than you can do.
Most dancers send phone footage. Wrong height, flat light, a mirror behind them. It makes a trained dancer look like a hobbyist.
You shouldn't have to send a reel you apologise for. After your reel day, you won't.
I direct, film and cut every reel myself. You've just watched six of them. On your reel day I direct every take, so you'll always know what to do. I've also photographed over 1,000 performers, including Kimberly Wyatt of The Pussycat Dolls.
Before the day you answer a few short questions: your casting goals, the agencies you want, the styles you need on screen and the tracks that show them. I plan the reel around your answers.
You are directed shot by shot on the floor. Multiple takes, multiple outfits, a trick section if you need one. Professional lighting catches your movement at its strongest.
Cut to music, colour graded and paced the way casting actually watches: it has to hold from the very first second. Every frame finished to casting standard.
Your finished footage lands ready to use: the full reel, plus cuts and a video headshot intro on the 2-hour reel, each sized for casting, web and social, and each with a job to do in your submissions. It lands within 10 days of filming.
Reel days are built around you. Tell me the week you want to shoot, any month, and I’ll check the studio, come back to you with a date, and build the day around you.
We reshoot it free. That's my reshoot guarantee, on both lengths.
Your edited reel lands within 10 days of filming, often sooner when you have a deadline. Tell me the date and I will work to it.
One hour covers two dances, which is plenty for a focused reel in one or two styles. Two hours covers four dances plus a trick section and more outfit changes, so the reel can show your full range. Both are directed and finished to the same standard.
No. Come with a concept or we build one on the day. You are directed the whole way, so you always know what to do on camera.
Wear what you'd wear to a casting: fitted, plain and easy to move in. Bring anything your routines need. Before the day you answer a few short questions, and I plan the reel around your answers.
Everyone is, for about five minutes. The first takes are warm-ups, you're directed move by move, and there's no audience: just us and the camera. And if you don't love your footage, we reshoot it free, so there's nothing riding on nerves.
£75 books your date and comes off the total. Then you choose: pay the rest in one go before your shoot, or Shoot Now, Pay Later. That is three payments taken automatically from the card you booked with: the first on your shoot day, the next two a month apart. Interest-free, no credit check, nothing to remember. If a job comes in, you can move your date yourself online. Your first move is free, after that it is £25.
Yes. A parent or guardian can book and pay, and is welcome for the whole session. Shoot Now, Pay Later works the same way.
At a professional dance space in London. The exact address comes by email when you book, and you're welcome to bring a friend, parent or agent.
Pick an open date and lock it with a £75 deposit. It's confirmed by email the moment you book. No open date that suits you? Request one and I'll reply within a day.
If you're sending agents old footage, or none, booking a reel day is the right decision.
£75 today. Pay the rest before your shoot, or in 3 monthly payments from your shoot day.
Got a question first? Email hello@adambrazier.co.uk
Still sending phone footage for now? Get first pick when new dates open. One email when they do, nothing else.
Loving the new dance reels Adam Brazier is offering! It gives dancers a cool, clean and modern aesthetic to showcase their talents.
No one can promise you bookings. Be wary of anyone who does. What a reel gives you is the best possible chance to be seen: footage at the standard agencies and casting already work with, cut the way they actually watch. The reel's job is to get you in the room. The room is yours.
Waiting for a clear month rarely helps, because the castings keep coming either way.
I take a limited number of sessions each month. Once the calendar fills, the next date is next month.
